BEVERLEY BROMMERT reviews 0.0/10 8 10 -  2 During the early 19th century, Adolphe Nourrit became particularly well known for his performances of Orpheus at the Paris Opera. (-) - C*/N*/V* - 968×⇩ - Sallen112, Complete Parts (EU) *#385948 - 0.50MB, 8 pp. Guadagni was apparently also able to project a moving and emotive tone without raising his voice. He said to himself, Desperately he tried to rush after her a… 8 4 annoté et commenté par Mme Xavier Leroux-Héglon, 1774-08-02 in Paris, Salle du Palais-Royal. -  *#304418 - 0.19MB, 8 pp. -  10 Orfeo ed Euridice (französisch Orphée et Euridice, deutsch Orpheus und Eurydike) ist eine Oper (Originalbezeichnung: „Azione teatrale per musica“ bzw. *#30106 - 77.53MB, 67 pp. Dans ce bois"). Wq.41 I-Catalogue Number I-Cat. 2 *#304413 - 0.15MB, 6 pp. Il est d’ailleurs parfois considéré comme le « père de l’impressionnisme ». Orphée inquiet du silence de sa compagne, ne résiste pas à la tentation de se retourner : cet acte perd Eurydice à tout jamais. 2 -  2 10 8 L’isocéphalie ramène les dieux ainsi que les humains à la même échelle, tandis que la blancheur fantomatique d’Eurydice ainsi que son voile attirent le regard vers le geste d’Orphée. -  2 They were married, but their joy was brief. Although Orphée et Eurydice is a timeless tale, it should not get the modern treatment without good reason, and the presence of the Joffrey Ballet is not it. 10 Ce tableau, signé et daté de 1654, est le plus ancien connu de cet artiste qui réalise toute sa car-rière à Rome. 4 10 8 -  *#304409 - 0.13MB, 3 pp. 8 [6] During the aria "Chiamo il mio ben cosi" and the interspersing recitatives Gluck added another offstage orchestra consisting of strings and chalumeaux, in order to provide an echo effect. (-) - V/V/V - 1108×⇩ - Massenetique. 8 (#08851). 8 4 8 (-) - V/V/V - 5649×⇩ - Massenetique, PDF scanned by RUS-Mrg The opera is the most popular of Gluck's works,[2] and was one of the most influential on subsequent German operas. Il est de formation classique et romantique ; par la suite il se mit au naturalisme et à l’impressionnisme. (-) - !N/!N/!N - 258×⇩ - Amuskens, Violins I Orphee et Eurydice (Ga, Franz.) Description. 10 (-) - C*/N*/V* - 422×⇩ - Sallen112, Bassoon 2 (EU) Summary Short summary describing this issue. 2 -  Louis XV l'acquiert en 1665 du peintre et amateur d'art Branjon. 4 8 0.0/10 6 (-) - C*/N*/V* - 321×⇩ - Sallen112, Bassoon 1 (EU) 6 4 10 L'œuvre entre dans les collections du département des peintures du musée du Louvre sous le numéro INV 7307. -  The opera was the first by Gluck showing signs of his ambition to reform opera seria. 8 4 Christoph Willibald Glucks Oper »Orphée et Eurydice« ist in diesem Live-Mitschnitt in ihrer sogenannten Pariser Fassung zu sehen, die besonders viele Balletteinlagen enthält. 0.0/10 0.0/10 Représentation du lundi 5 mai 2014. (-) - V/V/V - 6068×⇩ - Fynnjamin, PDF scanned by DK-Kk 10 Orphée et Eurydice est une peinture à l'huile sur panneau (39 x 53 cm), attribué à Titien, datant de 1508 environ, et conservée à l'Académie Carrara de Bergame. 6 4 Gluck's masterpiece is gloom and laments from Act I to Act III. [24] This was not as low as in Gluck's time: "a Commission had lately recommended that the pitch in France should be lowered from an A of 896 to 870 vibrations. 0.0/10 2 *#385924 - 2.89MB, 42 pp. (-) - C*/N*/V* - 234×⇩ - Sallen112, Harp (EU) 10 Massenetique (2011/7/24), Complete Score Il tire son inspiration des nombreux voyages qu’il a effectués, notamment en Italie. Substantial fragments of autograph scores are in the Bibliothèque Nationale in Paris and the Bibliothèque-Musée de l'Opéra in Paris. (-) - C*/N*/V* - 736×⇩ - Sallen112, ⇒ 6 more: Oboe • Harp • Violins I • Violins II • Violas • Cellos/Basses, Oboe (EU) 10 6 Orpheus' grief was overwhelming. [32], There have been numerous recordings of the different versions, especially of the Berlioz adaptation featuring a female Orfeo. 10 4 8 4 6 10 La flamme" and "Men tiranne"/"La tendresse", and let him in ("Ah, quale incognito affetto"/"Quels chants doux"). Orpheus is a musician, the personification of deep, archaic amazement at the power of sound. 10 Hailed as a true event when it entered the repertoire in 2005, Orphée et Eurydice, a major work by the choreographer Pina Bausch, brings to life with great force one of the most celebrated myths in Western culture. 8 -  *#385938 - 8.19MB, 101 pp. 6 6 Gluck was influenced by the example of French tragédies en musique, particularly those of Rameau. -  Mit der Premiere von Christoph Willibald Glucks »Orphée et Eurydice« an der Lyric Opera Chicago übernahm er 2017 erstmals in den USA eine Opernregie in Kombination mit Choreografie sowie Bühnenbild, Kostüm- und Lichtdesign – und ermöglichte so eine ungeahnte Verschränkung der Kunstsparten Ballett und Oper. Since about 1870 three-act adaptations of the Berlioz score, translating it back into Italian and restoring much of the music from the 1774 French version which Berlioz had left out, were common. -  (-) - C*/N*/V* - 465×⇩ - Sallen112, Trombone 2 (EU) 10 As Orpheus stepped out into the sun­light, he turned to see Eury­dice, but she was still in the cav­ern, not yet in the upper world. "/"J’ai perdu mon Eurydice" ("What shall I do without Euridice? *#385939 - 6.65MB, 91 pp. [12], In 1769 for Le feste d'Apollo at Parma which was conducted by the composer, Gluck transposed part of the role of Orfeo up for the soprano castrato Giuseppe Millico, maintaining a libretto in Italian. "[6], Other influences included the composer Niccolò Jommelli and his maître de ballet at Stuttgart, Jean-Georges Noverre. • Page visited 71,506 times • Powered by MediaWiki Francesco Algarotti's Essay on the Opera (1755) was a major influence in the development of Gluck's reformist ideology. (-) - V/V/V - 22009×⇩ - Goldberg988, PDF scanned by Unknown 0.0/10 (-) - V/V/V - 3245×⇩ - Fynnjamin, PDF scanned by DK-Kk Musique Christoph Wilibald Gluck. Orphée et Eurydice - Par Emily Balivet Huile sur 16x20canvas, 2012. The brief ballet of 1762 became the four-movement "Dance of the Blessed Spirits" (with a prominent part for solo flute) in 1774. (-) - C*/N*/V* - 327×⇩ - Sallen112, Timpani (EU) -  *#177280 - 0.55MB, 4 pp. Armé seulement de sa lyre et de sa voix, sa chanson triste enchantéet et adouci taissa le cœur d’Hades et de Perséphone (il était [20] In his adaptation, Berlioz used the key scheme of the 1762 Vienna score while incorporating much of the additional music of the 1774 Paris score. Orfeo ed Euridice (French: Orphée et Eurydice; English: Orpheus and Eurydice) is an opera composed by Christoph Willibald Gluck, based on the myth of Orpheus and set to a libretto by Ranieri de' Calzabigi. 8 -  Votre tableau peint à la main sur commande par un peintre talentueux. 4 8 4 In Vienna these were flute, horns, and English horns, but in 1774 Gluck was required to change this orchestration to that of a single horn and two clarinets, again replacing uncommon instruments with those in far more widespread usage. In 1854 Franz Liszt conducted the work at Weimar, composing a symphonic poem of his own to replace Gluck's original overture. No. 2 10 -  2 Suitable when you feel gloomy and want to enjoy your distress. 8 The production was supervised by the reformist theatre administrator, Count Giacomo Durazzo. Orphée et Eurydice Qui sont Orphée et Eurydice ?-Orphée est le fils d'un roi de Thrace, Oeagre, et d'une des neuf muses, Calliope. Orfeo resolves to take on the quest. 8 Carolus (2016/11/11), Complete Score Gen. 8 He returned to the Italian version only when he considered it to be superior either in terms of music or in terms of the drama. 2 (-) - V/V/V - 28×⇩ - Morel, Air de ballet (Act III) (-) - C*/N*/V* - 1746×⇩ - Sallen112, Violins II (EU) 8 0.0/10 [5] Noverre's Lettres sur la danse (1760) called for dramatic effect over acrobatic ostentation; Noverre was himself influenced by the operas of Rameau and the acting style of David Garrick. Many 18th-century manuscript copies of the full score may be found in libraries, including the Gesellschaft der Musikfreunde in Vienna, the Österreichische Nationalbibliothek in Vienna, the Bibliothèque Nationale (BNF) in Paris, the Bibliothèque-Musée de l'Opéra in Paris, and the British Library in London. [2] Fischer-Dieskau recorded the opera several times; his recordings are still available commercially. Endommagé, il a été coupé du haut de 22 cm puis a été allongé en bas de 5 cm et aujourd'hui fait 124cm x 200 cm. *#304414 - 0.12MB, 3 pp. 8 No. 0.0/10 6 Cast: Fleur Barron, Hlengiwe Mkhwanazi, Brittany Smith and Members of the Cape Town Opera Chorus, with the Cape Town Pops Orchestra. There is also accompaniment from the strings (playing in triplets) and the continuo in the most complex orchestration that Gluck ever wrote. Choreographer Louisa Talbot. (-) - C*/N*/V* - 462×⇩ - Sallen112, Trumpet 2 (C) (EU) 10 He determined to go down to the world of death and try to bring Eurydice back. Toutes les informations de la Bibliothèque Nationale de France sur : Orphée et Eurydice. 4 Une mise en ombres de l'histoire d'Orphée et Eurydice par la compagnie du Théâtre des Ombres 4 Der Direktor des Hamburg Ballett führt Regie und choreografiert bei der Neuproduktion an der Staatsoper Hamburg. 0.0/10 Dietrich Fischer-Dieskau and Hermann Prey are two notable baritones who have performed the role in Germany. 2 0.0/10 Baden-Baden: „ORPHÈE ET EURYDICE“ – 27.09.2019 Die glorreiche Ära von Andreas Mölich-Zebhauser endete im Sommer, der rührige erfolgreiche Intendant am Festspielhaus ging in seinen wohlverdienten Ruhestand. Ce tableau est un des plus célèbres et des plus … [2] The coup de théâtre of opening the drama with a chorus mourning one of the main characters is very similar to that used in Rameau's Castor et Pollux (1737). 0.0/10 6 600 dpi. 4 *#304412 - 0.15MB, 4 pp. *#385929 - 1.93MB, 29 pp. 6 (-) - V/V/V - 3025×⇩ - BrittanyNaumbur... Air: J'ai perdu mon Euridice Here the voice is reduced to the comparatively minor role of recitative-style declamation, while the oboe carries the main melody, supported by solos from the flute, cello, bassoon, and horn. 0.0/10 10 2 *#319265 - 0.58MB, 15 pp. 8 The first lines of arias, choruses, etc., are given in Italian (1762 version) and French (1774 version). 8 (-) - V/32/22 - Peter, Complete Score (EU) 10 10 -  Orfeo sends the others away and sings of his grief in the aria "Chiamo il mio ben"/"Objet de mon amour", the three verses of which are preceded by expressive recitatives. Le romancier imagine la trame de l'histoire dépeinte dans cette oeuvre. Devenu inconsolable, Orphée connaît une fin tragique : les Ménades, de rage, lui déchirent les membres et jettent sa tête dans le fleuve Hebros qui se déposera sur les rivages de Lesbos et continua d’appeler Eurydice. Orphée et Eurydice, ce sont deux tableaux dont la lecture parallèle et simultanée éclaire la conception d’ensemble. -  2 10 -  Gluck's ideals heavily influenced the popular works of Mozart, Wagner, and Weber,[28] with Wagner's Gesamtkunstwerk vision especially influenced by that of Gluck. ORPHÉE ET EURYDICE REVIEW. 0.0/10 Vendre des peinture tableau Orphée et Eurydice symboliste George Frederic Watts, acheter cette œuvre et d’autres tableaux Orphée et Eurydice symboliste George Frederic Watts chez Toperfect au prix d’usine, Toutes ces peintures à l'huile satisfaction à 100% Culture littéraire – Séance 6 – Histoire des arts – Les couples mythiques dans la peinture Dire l’amour par Revue des Lettres Si des couples mythiques de la littérature comme Orphée et Eurydice ont inspiré les poètes à travers les âges, nombreux sont les peintres et sculpteurs qui ont également puisé dans ces légendes pour en proposer des représentations variées. -  (-) - V/V/V - 874×⇩ - Bassani, PDF scanned by US-PRV 8 (Orphée, Eurydice) Orphée aux enfers, Act 1: "Ah! -  -  0.0/10 The complexity of the storyline is greatly reduced by eliminating subplots. 4 [6] Neither castrato nor chalumeau were to survive. 8 -  6 4 L'œuvre entre dans les collections du département des peintures du musée du Louvre sous le numéro INV 7307. 10 Le venin lui monta au cœur et en un instant, celui-ci cessa de battre. *#600582 - 0.65MB, 3 pp. 6 2 [34], The original spelling of the French title was, Berlioz noted that the composer and chess-expert, "Lyric Opera and Joffrey Ballet join forces for a stylish, imaginative "Orphée" Sun Sep 24, 2017 at 3:52 pm", "Review: Triumphant new 'Orphee' presages strong partnership of Lyric Opera, Joffrey Ballet", listings of Bärenreiter's edition of the 1762 score, listings of Bärenreiter's edition of the 1774 score, 10.1093/gmo/9781561592630.article.O008226, International Music Score Library Project, full score (BnF ms D-9215, 1764 or later), full score (BnF ms VM4-46, 1769 or later), full score (BnF ms RES-2397, 1769 or later), Libretto in Italian, French, English, German; synopsis, Free Online opera guide on Gluck’s ORFEO ED EURIDICE, The Tale of Orpheus and Erudices his Quene, https://en.wikipedia.org/w/index.php?title=Orfeo_ed_Euridice&oldid=1012857833, Articles with French-language sources (fr), Articles containing Italian-language text, Wikipedia articles incorporating the Cite Grove template, Wikipedia articles incorporating the Cite Grove template with an id parameter, Articles with International Music Score Library Project links, Wikipedia articles with MusicBrainz work identifiers, Wikipedia articles with SELIBR identifiers, Wikipedia articles with WorldCat-VIAF identifiers, Wikipedia articles with multiple identifiers, Creative Commons Attribution-ShareAlike License, Durazzo, Angela Valenti. c'est ainsi!" *#385944 - 0.27MB, 4 pp. After not having been performed for a very long time, this version was finally given its first modern revival on 13 November 2014 at the Tage Alter Musik [de] in Herne, with a countertenor in the title role. In the end Camille Saint-Saëns, who was acting as Berlioz's assistant on the project, did some of the minor rewriting which Berlioz had declined to do. Votre tableau peint à la main sur commande par un peintre talentueux. -  The ancient legend of Orpheus and Eurydice (Greek: Ὀρφεύς καί Εὐρυδίκη, Orpheus kai Eurydikē) concerns the fateful love of Orpheus of Thrace for the beautiful Eurydice.Orpheus was the son of Apollo and the muse Calliope.It may be a late addition to the Orpheus myths, as the latter cult-title suggests those attached to Persephone. *#304420 - 0.18MB, 8 pp. *#432964 - 14.50MB, 103 pp. 6 Self-contained arias and choruses make way for shorter pieces strung together to make larger structural units. 6 III_Orphee_3e.pdf. In the 1774 version, the scene ends with the "Dance of the Furies" (No. 2 Please direct any question about these parts to my talk page in case there are any articulations, dynamics, phrase markings etc. The mythical poet Orpheus braved the underworld to rescue his dead wife, Eurydice. Comparaison avec d’autres notices : Orphée descendu aux Enfers pour demander Eurydice - Restout Analyse de l’image : Pluton et Proserpine, sur leur trône à droite, laissent Orphée (à gauche, muni de sa lyre) emmener Eurydice hors des Enfers, à condition qu’il ne … 8 2 Pierre.chepelov (2011/4/26), Complete Score (CA) 8 0.0/10 6 8 0.0/10 4 (-) - !N/!N/!N - 1672×⇩ - Cellofan, Complete Score 4 0.0/10 Cette reproduction d’art est proposée en open-édition chez Muzéo. La table en couleurs ... Jean Cocteau Coupe Plate Flat Eurydice P... €98.00. 8 Countertenors Derek Lee Ragin, Jochen Kowalski, René Jacobs, James Bowman, and Michael Chance have recorded Orfeo ed Euridice. *#172376 - 0.27MB, 4 pp. Gespräch: «Orphée et Euridice» Im Einführungsgespräch zur Neuproduktion «Orphée et Euridice» von Christoph Willibald Gluck sprechen Kathrin Brunner, Dramaturgin am Opernhaus Zürich, und Malte Ubenauf, Dramaturg des Regisseurs Christoph Marthaler, über die Besonderheiten dieser Oper. La mythologie à l'école primaire > Séquence pédagogique autour du mythe d'Orphée et Eurydice. *#447133 - 30.07MB, 138 pp. IgorCello (2020/7/23), Complete Score Pages are resized slightly from original to 10 x 13 inches for easier printing. 4 This technique was extremely radical at the time and indeed proved overly so for those who came after Gluck: Mozart chose to retain the unity of the aria. [2] On the whole, old Italian operatic conventions are disregarded in favour of giving the action dramatic impetus. Orfeo was revived in Vienna during the following year, but then not performed until 1769. 2 (-) - V/22/16 - 13925×⇩ - Peter, Content is available under the Creative Commons Attribution-ShareAlike 4.0 License 4 *#08851 - 35.31MB, 224 pp. *#619611 - 0.65MB, 2 pp. 2 *#02720 - 0.20MB, 4 pp. (-) - !N/!N/!N - 1579×⇩ - Cellofan, Cello Part (C minor) *#304419 - 0.18MB, 8 pp. 10 Title Orpheus und Eurydike Composer Gluck, Christoph Willibald: Opus/Catalogue Number Op./Cat. 2 10 6 *#110619 - 17.78MB, 120 pp. 2 (-) - C*/N*/V* - 531×⇩ - Sallen112, Clarinet 2 (B♭/A) (EU) 0.0/10 (-) - C*/N*/V* - 303×⇩ - Sallen112, Trombone 3 (EU) Acquis en 1665, elle fait partie de la collection de Louis XIV. Hörprobe Track 5: Orphée aux enfers, Act 1: "Ah! 4 4 -  8 En traçant la verticale du mât du navire qui se reflète dans le cours d’eau, Poussin nous invite d’ailleurs explicitement à cette binarité. 0.0/10 Mais le jour de son mariage, Eurydice fut mordue au mollet par un serpent venimeux. En traçant la verticale du mât du navire qui se reflète dans le cours d’eau, Poussin nous invite d’ailleurs explicitement à cette binarité. Amore (Cupid) appears, telling Orfeo that he may go to the Underworld and return with his wife on the condition that he not look at her until they are back on earth (1774 only: aria by Amour, "Si les doux accords"). (Eurydice/Orphee) 5. *#619610 - 0.74MB, 3 pp. 2 0.0/10 that are wrong or missing and have to be either erased or drawn back in. 2 In April 2010, a concert performance recorded in Madrid two years earlier by tenore di grazia Juan Diego Flórez, was finally released. (-) - C*/N*/V* - 753×⇩ - Sallen112, Violas (EU) 2 (-) - !N/!N/!N - 247×⇩ - Amuskens, Horn (F) 6 Quand il chante ou qu'il joue de la musique, tout le monde est sous le charme : il a une voix magnifique et il est très doué pour jouer de la lyre. 6 8 Orfeo arrives and marvels at the purity of the air in an arioso ("Che puro ciel"/"Quel nouveau ciel"). (-) - !N/!N/!N - 4757×⇩ - Amuskens, PDF typeset by editor 2 Orphée et Eurydice wird nun unsere sechste gemeinsame Arbeit als Regie-Team sein. 4 2 4 Jommelli himself was noted for his blending of all aspects of the production: ballet, staging, and audience.[7]. Discussion; Bug Reporting; Delete/Combine Pages Dance, dance, otherwise we are lost! 8 (-) - V/V/V - 6016×⇩ - Afp0815, PDF scanned by afp0815 There is also a DVD of the 1993 Australian Opera production, directed by Stefanos Lazaridis, with Australian haute-contre David Hobson as Orphée. Eurydice morte, Orphée … : Orphée et Eurydice :. (-) - V/V/V - 6782×⇩ - Afp0815, Complete Score (C minor) [2] Among conductors, Arturo Toscanini was a notable proponent of the opera. 0.0/10 6 6 This is followed (1774 only) by a solo which celebrates happiness in eternal bliss ("Cet asile"), sung by either an unnamed Spirit or Euridice, and repeated by the chorus. Die Musik stammt von Christoph Willibald Gluck, das Libretto von Ranieri de’ Calzabigi. 10 Evitons d’emblée, la traditionnelle lecture mythologique, approche iconographique dont l’ineptie... analyse du tableau. ICG 26 Movements/Sections Mov'ts/Sec's: 3 acts Year/Date of Composition Y/D of Comp. 2 0.0/10 0.0/10 Mythe d’Orphée et d’Eurydice Dès sa rencontre avec Eurydice, ils s'aimèrent tout de suite et décidèrent de se marier. 10 8 (-) - C*/N*/V* - 425×⇩ - Sallen112, Violins II (EU) 6 When Orfeo, accompanied by his lyre (represented in the opera by a harp), begs for pity in the aria "Deh placatevi con me"/"Laissez-vous toucher", he is at first interrupted by cries of "No!"/"Non!" *#385923 - 3.12MB, 44 pp. 0.0/10 15 juil. 0.0/10 10 6 (-) - V/V/V - 174×⇩ - Sallen112, PDF scanned by Sallen112 (-) - !N/!N/!N - 286×⇩ - Amuskens, Cellos Dies macht diese Fassung des populären Stücks zu einem synergetischen Gesamtkunstwerk, das Opern- und Ballettliebhaber gleichermaßen begeistert. 10 [2]), From 1784 to 1859 the Parisian diapason (concert pitch) rose steadily from 820 to 896 cycles per second,[14] thus Gluck's French version for haute-contre became increasingly impractical. *#432963 - 17.30MB, 121 pp. Jean Cocteau Coupe ... Jean Cocteau Large Bowl Orphée Et Eurydi... €598.00. In 2017 the Lyric Opera of Chicago presented a new production by choreographer John Neumeier which fuses the musical and ballet elements of the opera and features the Joffrey Ballet. *#100100 - 0.45MB, 5 pp. 0.0/10 6 10 *#533963 - 15.94MB, 202 pp. 0.0/10 Unable to take any more, Orfeo turns and looks at Euridice; again, she dies. 8 [2] Typically during the 19th century and for most of the 20th century, the role of Orfeo was sung by a female contralto, and noted interpreters of the role from this time include Dame Clara Butt and Kathleen Ferrier, and the mezzo-sopranos Rita Gorr, Marilyn Horne, Dame Janet Baker, Susanne Marsee, and Risë Stevens (at the Metropolitan Opera). Dans le domaine de la peinture, certains tableaux évoquent Orphée parmi les animaux qu'il charme par sa musique, d'autres Orphée et les Ménades, mais la plupart retracent aussi les aventures d'Orphée et d'Eurydice : Eurydice piquée par un serpent, de Poussin, Delacroix ou du Titien (bien chercher le serpent qui figure sur ces tableaux), Orphée aux Enfers, de Bruegel, Perrier ou Rubens. 2 *#385926 - 1.60MB, 23 pp. 8 6 Dans Orphée et Eurydice de Pina Bausch, les corps dansants vous emportent dans le sillage de leurs infinies sinuosités au travers de… 10 Giovanni Tribuzio (2016/8/1), Act III 4 28).[8]. 0.0/10 10 4 "La premiata ditta Durazzo & Gluck" in, This page was last edited on 18 March 2021, at 18:25. 0.0/10 2 6 The drama itself should "delight the eyes and ears, to rouse up and to affect the hearts of an audience, without the risk of sinning against reason or common sense". 8 En France, ce mythe (Orphée et Eurydice) a été également mis en images par Nicolas Poussin (XVIIè siècle), Jean Cocteau (peinture et cinéma, XXè siècle), le sculpteur sur cristal Émile Gallé (XXè siècle) etc. -  In 1769 for Le feste d'Apollo at Parma which was conducted by the composer, Gluck transposed part of the role of Orfeo up for the soprano castrato Giuseppe Millico, maintaining a libretto in Italian. After a four-movement ballet, all sing in praise of Amore ("Trionfi Amore"). Massenetique (2011/10/4), Act II, Scenes 2-4 - Act III 10 -  Jean Cocteau Large Platter Le Gabier De ... €876.00. 10 en 1876. 10 -  10 4 Choreography was by Gasparo Angiolini, and set designs were by Giovanni Maria Quaglio the Elder, both leading members of their fields. Renamed Orphée et Eurydice,[3] this version had a French libretto by Pierre-Louis Moline, which expanded as well as translated Calzabigi's original. [6] Cornetts were instruments that were typically used for church music, and chalumeaux were predominant only in chamber music: both cornetts and chalumeaux were unpopular in France in 1774. [26] Other elements do not follow Gluck's subsequent reforms; for instance, the brisk, cheerful overture does not reflect the action to come.